Working for a large illustration, concept, film or video game company is thrilling. Here you will discover all the professional techniques, keys and tricks. We will provide the technical knowledge to take your art to the next level and how to design fantasy worlds, real or fictional, that will later become small or large film, television or video games productions. Your imagination has no limits, discover how to direct your talent towards a future profession. You will learn the basics of professional drawing and delve into composition, vanishing points, framing, perspective, thumnails and a wide range of concepts before moving on to the next steps of shading, color and texture for enviroments and characters and achieve professional results. You will create a final portfolio of your work to present at studios and production companies.
Learn about the professional concepts of top level animation. From the Fundamentals of Animation to Body Mechanics to Acting. This discipline will teach you how to not only create your characters but, most importantly, to make them believable. You will learn the art of Animation while using current industry techniques and tools.
You will learn about internal structures and production processes used by audiovisual companies specialized in animation films, video games and advertising. By the end of your academic training, you will have produced a reel of your best animation work created throughout the course which will be your main asset in presentations and will help you get your your first job as a character animator in the industry.
Learn how to create a rig system, from the basics to using advanced tools. In this discipline you will learn techniques used to articulate and deform characters for professional productions.
Rigging is the preliminary phase in character animation and the rigger works closely with the animation department to provide animators with all kinds of controls on the character. This phase is technical and artistic in equal measure since rigging directly influences the animation process, which makes the rigger an essential technical artist in the animation process. Character rigging is a highly specialized profession which is in high demand, so specializing in it allows you to jump into the job market.
FUNDAMENTALS I
-Introduction to Photoshop
-Basic Geometric Shapes
-Basic Rules of Lighting
-Types of Lighting and Shading
-Fundamentals of Perspective (1 PF)
-Basic Anatomy
-Materials: Basic
FUNDAMENTALS II
-The value (Grayscale)
-Materials: Intermediate
-Basic Anatomy
-Fundamentals of Perspective (2PF)
-Proportions
-Complex Geometric Shapes
FUNDAMENTALS III
-Fundamentals of Perspective (3 PF)
-Basic Anatomy
-Complex Vehicles and Objects in perspective
CONCEPT ART I
-Advanced Perspective (1 PF, 2 PF, 3 PF)
-Scenes and camera angles
-Light and Shade
CONCEPT ART II
-Advanced Anatomy
-Theory of color
-Materials:Advanced
-Coloring Lanscapes
CONCEPT ART III
-Advanced Anatomy
-Reference searching and generating ideas
-Creating thumbnails
-Creating your own brushes and personalized shapes
-Composition, The rule of thirds
-Designing with silhouettes
-Prop Design
CONCEPT ART IV
Advanced Anatomy
Designing interiors and exteriors
Environments and backgrounds for video games
Designing arms
Photo texturization and matte painting techniques
CONCEPT ART V
Designing characters with silhouettes
Exploring characters with lines
Layer strategy in Photoshop
The occlusion pass
Character turn arounds
CONCEPT ART VI
Advanced Anatomy
Acting
Expressions
Layout
Introduction to Animation
- What is animating?
- Observe
- Act, endow characters and objetcs with a soul.
-Interface and animation tools (Maya)
The 12 Principles of Animation
- Squash and stretch
- Anticipation
- Timing
- Arcs
- Appel
- Exaggeration
- Solid Pose
- Secondary action
- Slow-in and Slow-out
- Straight Ahead & Pose to Pose
- Follow Through and Overlapping Action
Overlap
- Animation resources
The importance of the arcs
- Study of the arcs that describe the movement
PREPRODUCTION
Work Methodology
- How to frame a shot
- Storyboard
The pose
- Silhouette
- Line of action or Balance
- Weight
- Exaggeration
- Asymmetry
- Appeal
Procedure (Planning)
- How to face a shot or Storyboard
- Layout or Video Reference and Thumbnails
- Blocking
- Blocking-Plus
- Refine
- Polish
ACTING AND LIPSYNC
What is Acting?
- Introduction to Acting
Our Character
- Character personalities
- Where does it come from? Where is it going?
- Action motivations
Body Expression (the language not spoken)
- Non-verbal communication
- The Body does not lie
- Clarity and simplicity first of all
Study of an Audio track
- How to break it down and understand it
Facial expression
- Study of emotions
- The eyes
- Center of interest
- Behavior
REALISTIC ANIMATION
Anatomy study
-Human
Movement study (body mechanics)
- Understand dynamics and physics
- Study human movement
-Arcs in realistic animation
-Weights in the human body
CARTOON ANIMATION
-Arcs in cartoon animation
-Non-human bipeds
-Weights
- Different materials that the characters can have
-Elasticity of a cartoon character
-Exageration of a cartoon character
QUADRUPIDS
Study quadrupeds anatomy
- Felines, canines and equines
Movement study (body mechanics)
- Understand the dynamics and physics in animals
- Felines, canines and equines
INTERACTION BETWEEN TWO OR MORE CHARACTERS
-More than one Character
-Who has the ball?
-Focusing on the action
Entertainment
- How to make an entertaining shot
Taking animations one step further
- The key is in the details
Interaction between 2 or more characters
-Using everything we have learnt throughout the year to plan a scene between two or more characters:
-Who carries the action
-What is the motivation
-Where is he/she going?
-How does the secondary character support the acrtive character
CONCEPTS
- Presentation
- Character Anatomy
- Nodes
- Preparation and planning
TRANSFORMATION / DEFORMATION
- Transformation
- Controls
- Constraints
- Joints
- Skinning
PROPS
- Rigging Props
BIPED CHARACTERS
- Planning
- Skeleton
- Skinning
- Skinning Clothes and Accessories
- Skin Helper
SPINE
- Hierarchy
- Spine
- Head
ARM
- Arm IK/FK Blend
- Arm Controls
- Fingers LEG
- Leg IK/FK Blend
- Leg Controls
- Foot
– Reverse Foot
STRETCH
- Stretch Concept
- Arm Stretch
- Stretch Attributes
- Spine stretch
BLENDSHAPES
- Blendshape and mirroring techniques
- Blendshape targets
- Target Mirroring
FACIAL CONTROLS
- Facial Controls
- Facial Control Mirroring
FACIAL RIG
- Nose, ears, hair
- Eyes
- Mouth
- Eyebrows
- Advanced Facial Rig (tweaks)
- Head Deformer
ADVANCED CHARACTER MODULE
- Extra skinning
- Follow (isolate)
- Corrective Morphs
- Ribbons
STRUCTURES IN RIGGING
- Quadrupeds
- Characters with wings
FINALIZING
- Finalizing and organization
- Cleaning the Rig
- Final Revision
- Tips and commonly used tools
RIGGING FOR GAMES
- Creating Rigs for Games
- Cloth Simulation
- Implementing in Unity
- Implementing in Unreal Engine
- Technical Specifications
MEL FOR MAYA
- Introduction to MEL
MEL SCRIPTING
- Creating scripts with MEL
PYTHON FOR MAYA
- Introduction to Python for Maya
- Variables
- Conditionals
- Loops
- Dictionaries
- Funtions
- Classes
- UI
PYTHON SCRIPTING
- Creating scripts with Python I
-Creating scripts with Python II
RIG WORKSHOP
- Exercises
PHOTOSHOP.
Jobs generated
We are a dynamic and multicultural team of professionals, willing to offer a specialized, high quality service to students and graduates. Our mission is to offer our students the key to their success in a competitive, demanding and innovative industry.
Register today
We are the only school that has opened our campus to the world. Thousands of people, students and non students, access our intranet daily to watch videos, tutorials, conferences, demos, perform missions and in general to interact with other students and professionals in the field. A whole virtual world is waiting for you with infinite possibilities.
We are proud to be among the few schools in the WORLD TOP OF ANIMATION SCHOOLS ranking according ANIMATION CAREER REVIEW, an American organization that is responsible for reviewing and promoting the best schools in the world. This year we have been awarded the honor of being THE BEST ANIMATION SCHOOL in Spain.
Asking for information and guidance can be very useful. We are here to help you. If you wish, we can also invite you to our Orientational Master Classes and Personalized Demos so you can experience everything firsthand.
Spain main campus
Lerida, 20
46009, Valencia, Spain
spain@ua.school
Phone: +34 963 532 069
[9:00 - 19:00] GMT
Cinema campus
Riba-roja de Túria, 15
46394, Valencia, Spain
spain@ua.school
Phone: +34 963 532 069
[9:00 - 19:00] GMT
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