Working for a large illustration, concept, film or video game company is thrilling. Here you will discover all the professional techniques, keys and tricks. We will provide the technical knowledge to take your art to the next level and how to design fantasy worlds, real or fictional, that will later become small or large film, television or video games productions. Your imagination has no limits, discover how to direct your talent towards a future profession. You will learn the basics of professional drawing and delve into composition, vanishing points, framing, perspective, thumnails and a wide range of concepts before moving on to the next steps of shading, color and texture for enviroments and characters and achieve professional results. You will create a final portfolio of your work to present at studios and production companies.
Learn about the professional concepts of top level animation. From the Fundamentals of Animation to Body Mechanics to Acting. This discipline will teach you how to not only create your characters but, most importantly, to make them believable. You will learn the art of Animation while using current industry techniques and tools.
You will learn about internal structures and production processes used by audiovisual companies specialized in animation films, video games and advertising. By the end of your academic training, you will have produced a reel of your best animation work created throughout the course which will be your main asset in presentations and will help you get your your first job as a character animator in the industry.
Pixologic Zbrush is a benchmark for organic modeling in Film and Videogames in the industry. Learn to work in Sculpting mode to create the most complex and detailed 3D models on the market. You will learn to design and model characters for different sectors that apply 3D.
You will learn about human anatomy and sculpting techniques. From the initial idea to the sculpt, detailing, texturing and implementation. All of this applied to different styles such as cartoon, realism, creatures and any character you can imagine using all the techniques and keys used in the industry.
You will learn to use Zbrush in depth and to combine it with other 3D packages, implementing the power of creation exponentially. Zbrush has been used in films such as Avatar, The Incredible Hulk, The Avengers, The Lord of the Rings. It has also been used in movies and series like The Hobbit, Tron, Star Trek Into Darkness, Iron Man, Pacific Rim, The Amazing Spiderman, the Chronicles of Narnia series, the Pirates of the Caribbean series and in video games like "The Last of Us", "Gears of War", "God of War" or "Assassins Creed", among many others.
FUNDAMENTALS I
-Introduction to Photoshop
-Basic Geometric Shapes
-Basic Rules of Lighting
-Types of Lighting and Shading
-Fundamentals of Perspective (1 PF)
-Basic Anatomy
-Materials: Basic
FUNDAMENTALS II
-The value (Grayscale)
-Materials: Intermediate
-Basic Anatomy
-Fundamentals of Perspective (2PF)
-Proportions
-Complex Geometric Shapes
FUNDAMENTALS III
-Fundamentals of Perspective (3 PF)
-Basic Anatomy
-Complex Vehicles and Objects in perspective
CONCEPT ART I
-Advanced Perspective (1 PF, 2 PF, 3 PF)
-Scenes and camera angles
-Light and Shade
CONCEPT ART II
-Advanced Anatomy
-Theory of color
-Materials:Advanced
-Coloring Lanscapes
CONCEPT ART III
-Advanced Anatomy
-Reference searching and generating ideas
-Creating thumbnails
-Creating your own brushes and personalized shapes
-Composition, The rule of thirds
-Designing with silhouettes
-Prop Design
CONCEPT ART IV
Advanced Anatomy
Designing interiors and exteriors
Environments and backgrounds for video games
Designing arms
Photo texturization and matte painting techniques
CONCEPT ART V
Designing characters with silhouettes
Exploring characters with lines
Layer strategy in Photoshop
The occlusion pass
Character turn arounds
CONCEPT ART VI
Advanced Anatomy
Acting
Expressions
Layout
Introduction to Animation
- What is animating?
- Observe
- Act, endow characters and objetcs with a soul.
-Interface and animation tools (Maya)
The 12 Principles of Animation
- Squash and stretch
- Anticipation
- Timing
- Arcs
- Appel
- Exaggeration
- Solid Pose
- Secondary action
- Slow-in and Slow-out
- Straight Ahead & Pose to Pose
- Follow Through and Overlapping Action
Overlap
- Animation resources
The importance of the arcs
- Study of the arcs that describe the movement
PREPRODUCTION
Work Methodology
- How to frame a shot
- Storyboard
The pose
- Silhouette
- Line of action or Balance
- Weight
- Exaggeration
- Asymmetry
- Appeal
Procedure (Planning)
- How to face a shot or Storyboard
- Layout or Video Reference and Thumbnails
- Blocking
- Blocking-Plus
- Refine
- Polish
ACTING AND LIPSYNC
What is Acting?
- Introduction to Acting
Our Character
- Character personalities
- Where does it come from? Where is it going?
- Action motivations
Body Expression (the language not spoken)
- Non-verbal communication
- The Body does not lie
- Clarity and simplicity first of all
Study of an Audio track
- How to break it down and understand it
Facial expression
- Study of emotions
- The eyes
- Center of interest
- Behavior
REALISTIC ANIMATION
Anatomy study
-Human
Movement study (body mechanics)
- Understand dynamics and physics
- Study human movement
-Arcs in realistic animation
-Weights in the human body
CARTOON ANIMATION
-Arcs in cartoon animation
-Non-human bipeds
-Weights
- Different materials that the characters can have
-Elasticity of a cartoon character
-Exageration of a cartoon character
QUADRUPIDS
Study quadrupeds anatomy
- Felines, canines and equines
Movement study (body mechanics)
- Understand the dynamics and physics in animals
- Felines, canines and equines
INTERACTION BETWEEN TWO OR MORE CHARACTERS
-More than one Character
-Who has the ball?
-Focusing on the action
Entertainment
- How to make an entertaining shot
Taking animations one step further
- The key is in the details
Interaction between 2 or more characters
-Using everything we have learnt throughout the year to plan a scene between two or more characters:
-Who carries the action
-What is the motivation
-Where is he/she going?
-How does the secondary character support the acrtive character
- Introduction to our Masters and how it operates
- Applied theory in Character Creation
- Psychological profile of our characters
- Z Brush: Initiation - practice
- Sculpture: Cranium
- Anatomy: Proportions of the human body.
- Drawing: Proportions and fitting.
- Anatomy: El torso humano
- Z brush: Work methodology in phases.
- Drawing: The Human Torso
- Sculpture: The Human Torso
- Anatomy: Upper extremities
- Z brush: optimización y recursos de hardware
- Drawing: Upper extremities
- Sculpture: Upper extremities
- 1st deadline:Realistic character proposal. Homework from prior week.
- Anatomy: Hands
- Z brush: Scultpting techniques
- Drawing: Hands
- Sculpture: Hands
- 2nd deadline: 2nd and last deadline for realistic character. Homework from prior week.
- Anatomy: Hands
- Z brush: Blocking zspheres and other techniques
- Drawing: Hands
- Sculpture: Hands
- Anatomy: lower extremities
- Z brush: Sculpting techniques
- Drawing: lower extremities
- Sculpture: lower extremities
- Anatomy: Feet
- Z brush: projection, layers and morphs
- Drawing: Feet
- Sculpture: Feet
- Anatomy: The feminine torso
- Z brush: sculpting techniques, projection, layers and morphs
- Drawing: The feminine torso
- Sculpture: The feminine torso
- Anatomy: The human head
- Z brush: Retopology tool
- Drawing: The human head
- Sculpture: The human head
- Anatomy: Portraits and reasonable resemblances
- Z brush: UV creation
- Drawing: Portraits and reasonable resemblances
- Sculpture: Portraits and reasonable resemblances
- Theory : techniques for hair
- Z brush: Cutaneous and subcutaneous details; pores, imperfections, vains and scars
- Marvelous designer: concepts
- Sculpture: Sculpture of hair and tuft
- Teoría: Textiles and clothes
- Z brush: Baking techniques
- Z brush: Extracting techniques and Sculpting techniques for hair and fibermesh
- Marvelous designer: Patterns ans simulations
- Sculpture: Sculpting textiles
-Applied theory for creating Cartoon characters
- Substance Painter: Initiation
- Sculpture: Blocking
- Marvelous designer: Personalizing our models
- Applied theory for creating Cartoon characters, visual language
- Sculpture: Blocking
- Marvelous designer: Garments and morphs
- Polygonal Modeling 3d Max
- Low Polygon Concepts
- Retopology in 3D Max
- Retopology in Maya
- Retopology in Blender
- UV Unwrapping in 3D Max
- Substance Painter: Baking and texturing techniques
- Hard surface polygonal Modelling
- Modelling props
- Modelling vehicules
- Substance Painter: Texturing techiques
- Basic setup and character poses
- Substance Painter: Baking and texturing techniques
- Hard surface polygonal Modelling
- Modelling props
- Modelling vehicules
- Substance Painter: Hand painted texturing techniques for characters
- Marmoset viewer: Iniciation
- Implementing Marmoset Viewer
- Modelling enviroments
- Procedural modelling
- Modelling props for enviroments
- Trees, rocks and ruins
- Baking techniques with Xnormal
- Hard surface polygonal Modelling
-Modelling props
- Modelling vehicules
- Substance Painter: Hand painted texturing techniques for props
- Marmoset Viewer lighting
- Marmoset Viewer Baking and animation
- Marmoset Render
- Modelling enviroments
- Procedural modelling
- Marmoset Viewer Baking and animation
- Marmoset Render
- Feedback on final projects
- Advise and approach for personal reel
- Post production in Photoshop and After effects
- Final deadline
PHOTOSHOP.
- ZBRUSH - SUBSTANCE PAINTER - MARVELOUS DESIGNER - MARMOSET TOOLBAG - XNORMAL - PHOTOSHOP - MAYA o 3DSMAX.
Jobs generated
We are a dynamic and multicultural team of professionals, willing to offer a specialized, high quality service to students and graduates. Our mission is to offer our students the key to their success in a competitive, demanding and innovative industry.
Register today
We are the only school that has opened our campus to the world. Thousands of people, students and non students, access our intranet daily to watch videos, tutorials, conferences, demos, perform missions and in general to interact with other students and professionals in the field. A whole virtual world is waiting for you with infinite possibilities.
We are proud to be among the few schools in the WORLD TOP OF ANIMATION SCHOOLS ranking according ANIMATION CAREER REVIEW, an American organization that is responsible for reviewing and promoting the best schools in the world. This year we have been awarded the honor of being THE BEST ANIMATION SCHOOL in Spain.
Asking for information and guidance can be very useful. We are here to help you. If you wish, we can also invite you to our Orientational Master Classes and Personalized Demos so you can experience everything firsthand.
Spain main campus
Lerida, 20
46009, Valencia, Spain
spain@ua.school
Phone: +34 963 532 069
[9:00 - 19:00] GMT
Cinema campus
Riba-roja de Túria, 15
46394, Valencia, Spain
spain@ua.school
Phone: +34 963 532 069
[9:00 - 19:00] GMT
In compliance with current regulations regarding personal data protection, we inform you that the personal data collected on our website are part of files that are the responsibility of PORTAL DE TANHAUSSER SL (hereinafter, UA SCHOOL)
Eventually, this Privacy Policy may be revised in order to update changes in current legislation, update our procedures for collection and use of personal information, the appearance of new services or the exclusion of others. These changes will be valid as of their publication on the web, so it is important that you regularly review this Privacy Policy in order to stay informed about the changes that have taken place.
UA SCHOOL will only use your personal information under this Privacy Policy and, in general, will request your consent to use your personal information for purposes other than those for which you granted them on the forms. UA SCHOOL will not use your personal data for purposes incompatible with those contained in this clause.
UA SCHOOL adopts technical, administrative and organizational measures in its systems in order to protect personal information, preventing its loss, theft, disclosure, alteration or unauthorized use.
IMPORTANT INFORMATION:
Data of the Responsible
PORTAL DE TANHAUSER S.L. (CIF: B98704299)
Hernandez Lazaro 29, 46015, Valencia.
spain@ua.school
963 532 069
PURPOSE IN THE TREATMENT OF YOUR DATA AND CONSERVATION PERIODS
Contact Forms : Respond to questions sent to the company, as well as respond to requests for information about the products and services we offer. Communications and promotions of the school. The data will be kept as long as the user does not express his right to cancel.
Virtual campus : Respond to questions and forums on the campus, as well as respond to requests for information about the products and services we offer. Communications and promotions of the school. Transactional emails from the online platform. The data will be kept as long as the user does not express his right to cancel.
Students : Perform internal processes related to our training, both current and future
The data will be kept as long as the candidate does not express his right to cancel. The maximum term of conservation of information by our company will be one year.
Employees : Internal communication and realization of internal personnel selection processes, both current and future.
The data will be kept as long as the candidate does not express his right to cancel. The maximum term of conservation of information by our company will be one year.
LEGITIMATION IN THE TREATMENT OF YOUR DATA
In all cases authorization by the user will be required
ADDRESSEES OF YOUR DATA
Assignee (s): No transfers of data to third parties occur
RIGHTS EXERCISE
Access, rectification, opposition, deletion, automated decisions, limitation, portability. You can exercise your rights through the following means: email to valencia@aulatek.com, providing documentation that proves the identity of the applicant (copy of the front of the National Identity Document, or equivalent)
In any case, you can request the protection of the Spanish Agency for Data Protection through its website. 1 month response time
UA SCHOOL is also present in the social networks INSTAGRAM, FACEBOOK, TWITTER.
UA SCHOOL does not share or communicate any personal information of the following users in these social networks and in each of these social media, UA SCHOOL as administrator, adopts the security measures and adequate privacy settings provided by these social networks. You can consult its Privacy Policies and Conditions of Use in the following links:
INSTAGRAM:
https://help.instagram.com/155833707900388
FACEBOOK:
http://www.facebook.com/policy.php
http://www.facebook.com/terms.php?ref=pf
TWITTER:
http://twitter.com/privacy
.jpeg)
.jpeg)
.jpeg)
.jpeg)
.jpeg)
.jpeg)
.jpeg)
.jpeg)
.jpeg)
.jpeg)
.jpeg)
.jpeg)
